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A Decade of Pedals - An Idiots Journey through effect pedals 2010-2020

I see alot of beautiful boards on this sub and sometimes I think 'how the heck did they do that' or 'wow that's a great board, I bet they never change anything on that' then I remember, I've gone through so many iterations of a board that it might be nifty to see them all in slide show fashion to see how my taste's changed and what I was inspired by at the time. So please enjoy this overly detailed timeline of my pedalboards, sounds, and general ineptitude as a musician.
  • 2010: I started to play guitar around 2008, acoustic mostly to swoon the ladies, but after getting the gift of cheapo electric in 2009 is started getting into pedals just playing in my basement. I started with a Dunlop CryBaby wah, a Digitech MultiChorus, and a Vox Satchurator (remember that thing?). I wish I had pictures of this because it was truly disgusting. But it was a foundation.
  • 2011: So I started playing at church, what a surprise, and suddenly I HAD TO HAVE A DOTTED 8TH DELAY. There's alot of jokes about transparent drives huge delay computers and reverb machines and let me tell ya, I was there for all of it. So HERE is the first board I can find a picture of, but understand this is actually like v.3. I was super into having true bypass loopers because buffers are for idiots amirite /s? You'll notice on this monster that I have my shoes in the photo, this was peak hipster aesthetic in 2011. You'll also notice I have 2 delays and 0 reverb, this is because I was(am) an idiot. You'll also notice that there is a big ass POG on there, because how in the jumpin Jerusalem am I supposed to do swells without a POG? Last thing to note, you can see my very professional power supply system of individual wall-warts and a dunlop dc brick. Very pro, very cool.
  • 2012(?): You can see here that I migrated to a pedaltrain pro. At this point in time I started to watch alot of youtube about guitar pedals and P&W type rigs. And at that time, everyone and they're mother wanted a Morgan amp and a JHS panther delay. OOOO I had to have one of course because no one would take me seriously as a guitar player unless I was reppin name brand pedals. Also notice 0 reverb in these.
  • 2013: Here is were alot of change happens very quickly. Mid college I picked up a few extra jobs and just started hard slappin' facebook's geartalkclassfieds. You have a keen eye so I'm sure you caught that my first reverb pedal ever was a Strymon Blue Sky, SWELLS BABY LET'S GO. You may also notice that the reverb is in front of all the delays. That was a choice..because I absolutely 100% new what the hell I was doing. A big point for these boards was that I traded a pedaltrain pro with a live in hard shell case for two Pedaltrain 1's with hard shells. So I was able to size down. This was because I got into a cover band and got sick of having to wheel in a small piano just to play 4 chord songs. Big up and up on the Line6 multi-modulator thing, I genuinely loved that pedal but the bulkiness of it and the dedicated power supply killed it's value.
  • Early 2014: Here we see a great loss of pedals. I decided it was time to stop messing around and get a pedalboard that was aesthetic. At this point in time I was playing in a couple different bands covering a huge swatch of music so I needed a board that could go from a bar gig on Saturday night to church on sunday morning. I was super getting into Andy Othling at the time as well, I saw him do some weird stutter delay thing with a DD-3 and immediately bought one. You'll see here that I moved a volume pedal to the middle of my board. WOW that's so ORIGINAL! Now you're wondering where all the true bypass loopers went and friend let me tell ya..I have no idea.. This board was a particularly pretty looking board, the symmetry of it got me so many upvotes on the facebooks and oooh baby getting that single color aesthetic was the thing i craved. Of course all those pedals were far too nice to take into a bar in a college town so I used this rinky dink board for every gig for about a year and tbh, no one ever came up and told me my tone sounded James Duke so I was really mad /s.
  • Late 2014: So for some reason I grabbed a giant board again and realized I couldn't figure out how the hell to use the Eventide Space so that got ditched in favor of an overly complicated and not at all useful drive section. So as you can see there are 5 different distortion type pedals (EM Drive-JHS Rams Head-TS808-JHS Morning Glory-BB Preamp) I got really into Eric Johnson who had this system of A/B pedals to switch from clean and dirty amps and fuzz and no fuzz and though well how could I do that with pedals. So I grabbed this loop switch from Road Rage and created a system very similar. I could hit the switcher and send the signal to the BB preamp after the delay/reverb so it would be like plugging straight into a Marshal. Then I could hit the button and switch it too the morning glory to act as a 'clean' amp and like Eric Johnson use the 808 and fuzz to push lead tones. The sounds were..eh..and honestly this was the point where I just flat out gave up on complicated signal paths and trying to be fancy.
  • Early 2015:So here's a really quick transition from almost the exact same system but on a PT-1 and a straight through signal. This board also wins the symmetry award and got my so many high fives for having the coolest board at the dive bar. In theory this board was fun. Take an 808 and fuzz and as boosts or stand alone and push them through the Morning Glory of BB preamp. Mr Black pedals were/are sick and I saw someone on instagram using them in this combo so I had to have them both. Mind you, one of them was based off a blackface Trem/Reverb combo. Wanna know what I was playing through at the same time? A 66' Super Reverb with the original trem/reverb...yeah I was an idiot but ya know. You'll also notice that there isn't a godforsaken tuner anywhere on that board.
  • Late 2015: I started playing in bars where the stage was wider than it was deep so straight mic stands and playing in your own little section was the only option so I had to lose a 2 row pedal board for something narrower. So here you can see a massive pairing down of things. Timeline? Gone. I used two settings on it, MAYBE. Had to stick with strymon though because..But also in this time I started to get into pedal builders that weren't name brand names, I got the Klone from Piedmont Effects, called the Aluminium Falcon. That pedal was absolutely amazing, I still hold that it is one of the best pedals I have ever owned, really great push to it. As much shit as we give JHS, I really enjoyed the Morning Glory for many years, yeah it's just an expensive Blues Driver, but it got me through tons of bar and church gigs with a nice crunch that just sat well with everything I was playing.
  • Early 2016: So these pedals were when I stopped playing in bands and started playing alot in my house by myself. I got into some facebook groups that really took the piss out of geartalk and focused more on amplifiers getting a good tone rather than pedals. Bought a PT-JR with a hard shell case which is/has been the perfect size for me for portability and holding just the right amount of pedals. I realize now that I haven't typed much about the power supply situation, but just know that I went full boutique at one point and got a custom Logsdon Audio power supply only to sell it and get a voodoo pedalpower+2. You'll notice here that I got two off-name-brand pedals from at the time 'small' builders. The first was a DunnEffects CreamyDreamer fuzz, it replaced my JHS Rams head cuz screw those guys amirite? That pedal was really really heavy and doomy and I loved it. The second pedal is the Electronic Audio Experiments Master Sword, I've posted about it before but John from EAE built me a custom Longsword and it's just the best. I've never had any need to replace it or have another drive because it's just perfect. EAE is huge now and sells out in heartbeat and it's absolutely deserved. Please notice the Way Huge delay pedal, got sucked into buying that at the Chicago Music Exchange and got absolutely screwed by the trade in but that's the gear hustle.
  • 2019: So in the span of time between the last photos I got married and did a-lot of life things so playing guitar hit the back burner pretty hard and taking photos of my pedal boards drifted off. But this was the pedalboard I rocked for the longest amount of time. I posted about it previously and it was absolutely a great board the ARP was cool, the RV3 is a great reverb. Not much more to stay for this board. It kicked ass for playing sick riffs to the throw pillows in the guest bedroom. The digitech Drop is not a pedal I wanted, but more needed, I started playing with some buds and I didn't want to be the guy having to tune down to E♭ every other song so I would just slap that bad boy on and it sounded..fine.
  • 2020: This is where we sit now. I sold the RV3 and ARP87 in exchange for the Collision Devices Blackhole Symettry. I watched every video since it first dropped and always vibed for one. Since I got back into taking classes from home I am able to pick up and pluck the guitar during breaks just like I did in college so I figured, what the hell, and bought it. 100% worth the money and the wait. Honestly I could pair down everything to just that and the MasterSword and I would be well set for 90% of things I do. I would be lying to say that I hadn't thought about a PT-Nano just to do that. BUT. This is the Board Right now:
    Digitech Drop->EHX MicroPog->PolytuneNoir(AESTHETIC)->HipKitty Boa Compressor->EAE MasterSword->BlackHole Symettry.
  • Future: Really the only pedal I have my sights on is the Old Blood Noise Endeavors' Visitor. Reminds me of the multi-faceted nature of the Line6 MultiEffect that I loved in a smaller package. As soon as they make that buddy in an all black color scheme I will shell out.
Anyway, That was long. But hey, thank YOU for reading through this, or at least looking at my pictures.
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